OPTION 2 | CINEMATIC
16MM FILM vs DIGITAL + NITRATE
Everything from Option 1 in this version but instead of one still life scene, we’ll film three in order to test both Tungsten and Daylight Kodak film stocks. So we’d film the bowl of fruit in the sunlight in the kitchen, maybe a dog resting on a couch at night in a room lit with tungsten practicals, a landscape shot of some flowers in a meadow at sunset.
Shots you’d see in an indie feature or a documentary film.
This version would require us to get the 16mm film processed and developed and then digitally scanned so we can edit it in Final Cut Pro.